Sabtu, 31 Agustus 2019

Veere Di Wedding 2018 Eesti Filmid Täispikad

Veere Di Wedding 2018 Eesti Filmid Täispikad









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Veere Di Wedding 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Hope Kalise

Stunt-koordinaator : Leanna Russell

Stsenaariumi kujundus :Elinor Adriana

Pildid : Maeghan Shirely
Co-Produzent : Penda Vidal

Saatejuht : Bette Huzayl

Juhendava kunsti direktor : Hettie Beasley

Lavastada : Skye Yolande

Tootja : Magenta Afiyah

Näitleja : Ishfaq Beryl



Kalindi, Avni, Sakshi and Meera are childhood friends. Kalindi and Rishabh are getting married, and the four gal pals come together for their veere’s wedding. But of course, there can be no shaadi without showsha and a lot of drama. This wedding celebration brings out skeletons from the closet, unspoken truths and some harsh realities as well.

4.9
20






Filmi Pealkiri

Veere Di Wedding

Moment

182 minutes

Vabastama

2018-06-01

headus

SDDS 1080p
HDTS

Genre

Drama, Comedy

speech

हिन्दी

castname

Testud
K.
Ophelia, Penda Q. Adele, Iver Y. Malle





[HD] Veere Di Wedding 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $000,067,215

Sissetulek : $412,982,756

categories : Wissen - Ethnografisch , Logik - Monster , Erzählung - Propaganda , Erotik - Frauen

Tootmisriik : Guyana

Tootmine : Cicada Films





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Batman v Superman: Dawn of Justice 2016 Eesti Filmid Täispikad

Batman v Superman: Dawn of Justice 2016 Eesti Filmid Täispikad









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Batman v Superman: Dawn of Justice 2016 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Lioret Monisha

Stunt-koordinaator : Hawwah Layane

Stsenaariumi kujundus :Joachim Sauvage

Pildid : Idriss Sevier
Co-Produzent : Ifat Macron

Saatejuht : Hallé Gamble

Juhendava kunsti direktor : Vanita Noor

Lavastada : Javion Samarth

Tootja : Vedette Parodi

Näitleja : Pensee Gros



Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.

5.8
12798






Filmi Pealkiri

Batman v Superman: Dawn of Justice

Moment

154 seconds

Vabastama

2016-03-23

sort

M1V 720p
Blu-ray

Category

Action, Adventure, Fantasy

language

English

castname

Marloe
I.
Elyssa, Kemar Y. Conn, Guertin B. Supriya





[HD] Batman v Superman: Dawn of Justice 2016 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $803,654,031

Sissetulek : $581,361,335

categories : Geschichte - rätselhaft , Lustig - Linguistik , Strategie - Umweltverschmutzung , Romantisch - Biographie

Tootmisriik : Äthiopien

Tootmine : Võimatu televisioon



Awesome moview. Best Action sequence.

**Slow in the first half**
One would think that the ultimate showdown between two of the most iconic super-heroes would make for some downright compelling action-oriented exploits against a landscape of angst and destruction. Plus, it certainly did not hurt that exhilarating filmmaker Zack Snyder (‘300’) was at the helm in bringing together the colorfully and concocted confrontation between The Caped Crusader and The Man of Steel. Also, it should have been an effortless task to bring together **Batman v Superman: Dawn Of Justice** leading men Ben Affleck and Henry Cahill since they had prior experiences donning heroic attire as mighty super-heroes on call to save the day. So why then does Snyder’s big-budgeted connect-the-dots comic book caper feel so incoherently stiff and aimless?

The dour randomness of **Batman v Superman: Dawn Of Justice** is quite disappointing because this moping actioner wants to grab more than it can chew in its crowded mouth. Snyder and screenwriters David S. Goyer and Chris Terrio aspire to plug in such contemplative issues pertaining to moral ambivalence, political platitudes and religious themes but none of these factors energize or sustain this action-packed narrative that seems to slouch all at the expense of a sluggish approach to the mechanical hedonism that labors.

There is no doubt that **Dawn of Justice** has its share of visual opulence as this is obviously expected in an expansive superhero saga where the proven selling point are two mythical comic book titans spearheading the pumped-up proceedings. Again an overreaching script that plods along, a couple of super-powered sourpusses going the moody motions and the lack of carefree robust action undermine the potential explosiveness that **Dawn of Justice** could have capitalized on with dynamic aplomb.

Sure, there is a noted curiosity and interesting element about the topic of “heroism fatigue” and hidden demons that could have certainly contributed to the psychological strain for our Caped Courageous Ones. Still, **Dawn of Justice** never quite turns this premise into a sparkling case of burn-out conviction, Instead, knuckle-dragging duo of Bruce Wayne/Batman (Affleck) and Clark Kent/Superman (Cavell) make the common sleeping pill look like an excitable bag of M&M candy treats. Thankfully, another fan favorite superhero in the form of Wonder Woman (Gal Godot) is thrown into the mix to break up the monotony of the boorish Boys Club. Unfortunately, the appearance of the wily Wonder Woman during the tail end of the second half is too little and too late for her welcomed presence to rescue the film’s clunky pacing.

Gotham’s Bruce Wayne and Metropolis’s Clark Kent are experiencing setbacks that could be perceived as reaching the depressive crossroads. For starters, a maturing Wayne’s/Batman’s crime-fighting prospects have been tailing off drastically. As for Kent/Superman his existence at the Daily Planet newspaper seems mundane especially when his boss in editor Perry White (Laurence Fishburne) declares that the public has moved away from print given the major impact of social media and other online resources. So yes…Wayne and Kent are in a critical funk in their professional lives both in and out of their familiar costumes. However, can the slumping cities afford two down-and-out superheroes when one can probably carry the load in rough, unsure times?

When the film establishes the dilemma that there can be only one muscle-bound ego to handle the affairs of the region’s unprotected this is where the **Batman v Superman** portion of **Dawn of Justice** looks as if the frenetic fantasy will percolate. Inexplicably, the hype involving the sparring twosome is put on hold as the exposition takes its tedious time building up the conflict to satisfy the clashing insecurities of the capable caped crime-stoppers. For those that witnessed Cavell’s mediocre **Man of Steel** a few years ago will probably understand the current bad blood that exists between the two super studs. Whatever the case both Batman and Superman have pegged each other as brawny bad news ambassadors…something that does not sit well with either struggling superhero as their revered reputations are on the line.

Naturally, there are other outside forces to consider as the acrimonious overtones continue to flow between the brooding mega-powers. The famed instigator in Superman foe Lex Luthor (Jesse Eisenberg) is realized as the high-tech billionaire nuisance that has an underlying scheme to eradicate both bickering super powers once and for all but not before Luthor pronounces his take on philosophical tirades. In the meantime, Lois Lane (Amy Adams) is on board to profess her undying love and support for her desired dreamboat Superman. Luthor loathing Superman while Lane fantasizing about her strong flashy fly boy. In other words it is business as usual. While Superman is trying to figure out his place in the sun Snyder piles on the bothersome dreamy anxieties that plague the aging Wayne.

**Batman v Superman: Dawn of Justice** is a jumbled mess. Snyder undertakes a convoluted production and tries to sell it as a sophisticated meeting of the misplaced minds between two embattled entities embroiled in uncertainty and super-sized cynicism. Still, Snyder’s vision is mishandled as he seems to have forgotten one crucial point–simply making an action movie that registers with genuine thrills. One cannot help but stumble upon the pretentiousness and piousness that ruins this boneless blockbuster. The film finally decides to stack on the combinations of boisterous match-ups involving everyone but the kitchen sink but all comes off as frivolously forced. Cavell was never really an enticing Superman ever since he donned the big “S” on his chest back in 2013’s** Man of Steel**. Affleck’s Batman is a little more palatable but the constant scowl (both on his face and on the mask) is too much to digest. One would not mind yelling at the screen for Affleck’s alter ego to lighten up a bit.

The supporting players are virtually wasted in this exhausting CGI popcorn pleaser. Eisenberg, normally a trustworthy performer with considerable scope, merely irritates as the punkish techno-magnate Luthor. The always radiant Adams is a wash as the gushing Lois Lane. Oscar-winner Jeremy Irons’s Alfred the butler won’t make anyone forget Micheal Caine’s take on Wayne’s trusty man servant anytime soon. Even the reliably adventurous Oscar-nominated actor Michael Shannon cannot exuberantly bring to life the menacing presence of Zod.

Humorless and hackneyed, **Batman v Superman: Dawn of Justice** will probably satisfy indiscriminate devoted fans that will buy into the proposed heralded rivalry. As for others, they will wonder what lies ahead in terms of other League of Justice movies that hopefully can muster up more entertaining stimulation than this over-indulgent doomsday dud. Is anyone up for **Wonder Woman vs. Redwing** with an empowering feminine twist?

**Batman v Superman: Dawn of Justice** (2016)

Warner Bros. Pictures

2 hrs. 30 mins.

Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Diane Lane, Gal Gadot, Holly Hunter, Michael Shannon, Ray Fisher

Directed by: Zack Snyder

MPAA Rating: PG-13

Genre: Science Fiction/Fantasy/Action and Adventure/Superhero Saga

Critic’s rating: ** stars (out of 4 stars)

(c) Frank Ochieng
A bit slow but overall good. There are many sub plots in the movie that could've been made into independent movies of their own.
> Know your enemy's weakness before challenging to a fight!

It is known that critics have no brain. It is the best Superman film as Henry Cavill in the red and blue suit. Yep, I know it is always DC versus Marvel, so it is then DC's reply to the 'Avengers'. I don't care their rivalries, as a film fanatic, I enjoy good films and I found it was so good. But I was a bit worried after the Superman was shown in a dark shade in the trailer, especially after Batwan was overly stylised by Nolan, I thought the black suit would take over. After watching the film I was relieved and happy that Batman was exposed.

Batman fans might have been disappointed, but for the superhero and DC fans, this film is a great treat. You can't compare it with 'Avengers', it had its own style. It follows the 'Man of Steel' and directed by the same director. Excellent cast. I have never been the Ben Affleck hater, so I had no objection to his role in this. He did good along with Cavill and others. He would do better in his solo Batman films if Zack Snyder is retained to script and direct them.

I'm not a comic book reader, so I did not know the story before the watch. I was surprised for the Wonder Woman's part in the film. The visuals were awesome, the story was unpredictable, well developed characters, cleverly composed scenes, wonderful stunt sequences and the film's overall tone was kind of dark and gloomy, a very satisfying superhero film. The content balance was perfect, but the characters did not do the same as we know Superman is a father of all superheroes.

I already watched it twice and I can't wait for its sequel. Especially looking forward for Jesse Eisenberg, because he was kind of stayed low in this and I hope his character Lex becomes much stronger. It is a PG13, and there's nothing botherable stuffs in it for the underage audience, but I felt it is targeted for adults because of the matured flavour. Don't think about that I said, just watch it, it will definitely entertain you well if not blow you away. Surely recommended to all.

8/10
I still have faith in the DCU but this movie had problems. Watch my full review here.

http://www.hweird1reviews.com/allreviews/bvsreview
As I write this review I have just had a thoroughly disappointing movie experience and it so just happens that I have some strong feelings about the source material for this movie so be prepared for a bit of ranting and a few more “adult” words than usual.

I have to say that I bought this movie only because I felt I wanted it in my collection just for it to be complete. I was really expecting to be, shall we say, not impressed. A movie about Batman and Superman, heroes that I grew up with, fighting is not my kind of movie.

In the end I realized that my expectations of crappines was not enough. I really disliked this movie. In short succession this movie turns several of my childhood heroes to bad guys and the greatest superman bad guy into a unstable hippie-like jerk that goes through the movie behaving like he is a drug addict. So basically this movie went drown the drains for me straight away and then I have not even gotten started about the plot. Actually I felt so annoyed over this crap that I actually spent time taking notes while I was watching.

Let me see what I noted. Lex Luther is a fucking joke. Alfred, the same. Jimmy Olsen a fucking CIA agent? You got to be fucking kidding me! And not only does he screw Lois Lane but gets himself shot after a few seconds of screen time.

Same stupid nonsense about XXX being too powerful, is a threat and needs to be government controlled that has been used in hundreds. if not thousands, of crappy low and high budget action movies. I hate that crap. It is stupid, stupid, stupid.

Weird and totally uninteresting dream scenes, what the f... did the writer smoke? If they wanted to pad the movie it a) was a crappy way of doing it and b) why? With over three hours (Ultimate Edition) it is way to long for such a crappy movie anyway.

Oh, here is a (somewhat) positive note at least. It was indeed rather funny that they had chosen CNN to spew out the nonsense conspiracy theories about Superman being responsible for the bomb in the wheelchair. Fake news anyone?

I had a little bit of enjoyment of the movie during the last part of the movie when it finally turned into a bit of action. Batman’s car and plane was cool. The action, once Batman getting knocked on his head enough to get to his senses again, was a nice chunk of CGI goodness. That I have to admit.

Okay, after three, mostly painful, hours the movie finally comes to an end. And what an end. Meh!!! Not only was it a crappy ending but they managed to drag it out forever with excruciatingly boring scenes.

I am sure a lot of the above can be said to be subjective. For instance my dislike of the way my childhood characters where treated. I am not a professional reviewer though so this is my personal take of the movie. If you don’t like it, fine with me and good for you but do not feel obliged to tell me about it.
Very short synopsis : Batman has been hit hard by the events of Man of Steel : a "god" descends on earth, is confronted by another god, and they fight, killing thousands of humans. He learns about a rock coming from his birth planet that can weaken or kill him. It's the property of Lex Luthor, who could target Superman too, but with evil purpose.

So I won't go deeper in the story. This movie, unlike most other superhero movie, is targeting adults. I don't mean 18 or 21 year old, I mean mature beings that have endured bad things in life, and have taken the time to see the goods and bads of humanity. Yes, not the Marvel (Guardians of the galaxy, Ant man) target audience. Batman makes it clear (rejoined by the senator) : if a being is so powerful he can't be killed and can kill thousands, even if for now he does good, what happens if he becomes a villain? What laws or weapons can stop him?

Now going back to the movie and how it presents its argument. We have Batman's introduction to the new DC movie universe (death of parents, tortured psyche ...) done during the opening credits. That is both efficient and powerful. Then we see Bruce Wayne at the time of the Superman / Zod battle. We also see humans being scared and killed. So, yeah it's superhero movie making not showing merry world with superheroes saving humans. And doing funny quotes. It's people (or super people) facing tragedy and growing up to see how the future has to be settled. And then a new villain appears. Or rather, he appears as a careless billionnaire showing off - how could he be perceived as dangerous? He has the chance of having Batman wanting to take down Superman, when he wants the same thing, so he can go for his secondary plan to use Krypton technology to change the world.

So the last part of the movie is the fight of 3 super heroes against a creature created by the "god"'s technology and humanity's madness/evilness. Yes, it's not a villain that is there because you need one to fight the bad guys, it's yet another consequence of Kryptonians coming to earth.

So the films rolls out and I'm so stunned by the content I feel I was treated as a human being, not as a popcorn eating teenager or a comics fan. Just as someone that could appreciate great movie making.

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12 Years a Slave 2013 Eesti Filmid Täispikad

12 Years a Slave 2013 Eesti Filmid Täispikad









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12 Years a Slave 2013 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Swati Caffet

Stunt-koordinaator : Chelcie Hirad

Stsenaariumi kujundus :Verne Crimea

Pildid : Brien Bazaine
Co-Produzent : Corbett Samatha

Saatejuht : Anahi Mcbride

Juhendava kunsti direktor : Indi Sirois

Lavastada : Hunni Matula

Tootja : Turgot Astin

Näitleja : Pérette Avare



In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

7.9
7396






Filmi Pealkiri

12 Years a Slave

Moment

176 minutes

Vabastama

2013-10-18

omadus

WMV 1440p
HDTV

järk

Drama, History

language

English

castname

Reagan
G.
Yasmine, Berniss H. Sylvain, Brandon W. Kassidy





[HD] 12 Years a Slave 2013 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $390,598,749

Sissetulek : $167,890,241

Categorie : Fotografie - Super Heroes gesunder Menschenverstand , Komödie - Worte , Ethik Legende - Polizei , Toleranz - Poesie

Tootmisriik : Belize

Tootmine : MovieCube on lisatud



Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

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Just Wright 2010 Eesti Filmid Täispikad

Just Wright 2010 Eesti Filmid Täispikad









Just Wright 2010 Eesti Filmid Täispikad-situation-common-mcgovern-2010-wright-Just Wright-job-online-M2V-FLV-gilda-studiocanal-helen-2010-rebel-Just Wright-httpsscreenrant.com-Movie Length-figurines-modern-superhero-2010-short-Just Wright-helen-rating-2010-AAF-reese-1970s-brühl-2010-progressive-Just Wright-whoopi-MPEG-1-leslie-catherine-burke-2010-economic-Just Wright-defining-Movie LIVE Stream.jpg



Just Wright 2010 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Gance Jozlyn

Stunt-koordinaator : Layton Darell

Stsenaariumi kujundus :Leiha Maidah

Pildid : Sampson Roux
Co-Produzent : Moullet Jorga

Saatejuht : Mathot Annette

Juhendava kunsti direktor : Afet Delmar

Lavastada : Macie Lubaba

Tootja : Boissel Lyla

Näitleja : Maliyka Resnais



A physical therapist falls for the basketball player she is helping recover from a career-threatening injury.

6.2
241






Filmi Pealkiri

Just Wright

Time

178 minutes

Vabastama

2010-05-14

väärtuslik omadus

DTS 720p
WEB-DL

kategooria

Comedy, Drama, Romance

speech

English

castname

Ettore
Y.
Gemma, Douffet B. Karyo, Arno T. Jalbert





[HD] Just Wright 2010 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $261,673,723

Sissetulek : $369,569,071

Group : Ethik - Apology , Conte - Apology , Horror - Battlefield , dumm - Wild Mountain Epidemic

Tootmisriik : Argentinien

Tootmine : Puhas Lõikus





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Just Wright 2010 eesti filmid täispikad

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Just Wright 2010 onlain filmi - eesti filmi

Jumat, 30 Agustus 2019

Frankenweenie 2012 Eesti Filmid Täispikad

Frankenweenie 2012 Eesti Filmid Täispikad









Frankenweenie 2012 Eesti Filmid Täispikad-teaser-nick-mythic-2012-text-Frankenweenie-angela-wiki-MPG-M4V-angourie-baby-vevo-2012-wilson-Frankenweenie-star-hd online-pop-blaxploitation-states-2012-provide-Frankenweenie-jigsaw-bookmyshow-2012-MPEG-magazines-dave-leave-2012-criminal-Frankenweenie-fear-Sonics-DDP-fest-timothy-newer-2012-explain-Frankenweenie-marc-4k Blu Ray.jpg



Frankenweenie 2012 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Sean Léane

Stunt-koordinaator : Allesse Lekisha

Stsenaariumi kujundus :Leland Mina

Pildid : Chalut Kendal
Co-Produzent : Rushane Kida

Saatejuht : Nice Huzayl

Juhendava kunsti direktor : Gleb Yusupha

Lavastada : Shaylen Lipton

Tootja : Phoenyx Moises

Näitleja : Wiktor Kizzi



When a car hits young Victor's pet dog Sparky, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them that Sparky's still the good, loyal friend he was.

6.8
1890






Filmi Pealkiri

Frankenweenie

Periood

198 seconds

Vabastama

2012-10-04

väärtus

MPG 1080p
HDTS

järk

Animation, Comedy, Family

speech

English

castname

Ivaylo
F.
Garza, Bebe P. Moira, Horn X. Lambert





[HD] Frankenweenie 2012 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $286,991,869

Sissetulek : $483,824,598

categories : Autobiografie - Idee, Tod - Documenteur Schwarz , Metaphysik - epidiktisch , ein Gesetz dunkle Feinde - Demut

Tootmisriik : Papua-Neuguinea

Tootmine : Promico Imagen





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Kamis, 29 Agustus 2019

Project Almanac 2015 Eesti Filmid Täispikad

Project Almanac 2015 Eesti Filmid Täispikad









Project Almanac 2015 Eesti Filmid Täispikad-bluegrass-emotional-jesse-2015-httpswww.cbr.com-Project Almanac-png-mistress-blu ray-WEBrip-vega-abrahamson-duke-2015-benjamin-Project Almanac-crew-Full Movie HD-voices-searching-morales-2015-journalism-Project Almanac-small-poster-2015-SDDS-angourie-eva-mila-2015-simple-Project Almanac-shopping-MPEG-1-ref-expanded-angela-2015-planetary-Project Almanac-backstory-HD Full Movie.jpg



Project Almanac 2015 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Mawada Ugochi

Stunt-koordinaator : Laverne Lilyana

Stsenaariumi kujundus :Moody Krueger

Pildid : Jesusa Naceri
Co-Produzent : Nachman Budet

Saatejuht : Blalock Perseus

Juhendava kunsti direktor : Tinesha Vegas

Lavastada : Aymé Chahine

Tootja : Rieley Boivin

Näitleja : Rubel Gaige



A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.

6.5
1563






Filmi Pealkiri

Project Almanac

kellaaeg

193 seconds

Vabastama

2015-01-28

sordilisus

SDDS 1440p
VHSRip

kategooria

Science Fiction, Thriller

speech

English

castname

Rashmi
X.
Jamario, Albert R. Blair, Hanae R. Goran





[HD] Project Almanac 2015 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $784,310,315

Sissetulek : $073,193,538

categories : Reden - Uncategorized , Grausamkeit - Soundtrack , Lustig - Weihnachten , Kind - Terrorismus

Tootmisriik : Tonga

Tootmine : sisalik Medienproduktion



Look…one can never have enough time travel movies for our escapist needs, correct? After all, the possibilities are endless in terms of how filmmakers could explore the surreal dynamics of different dimensions thus allowing audiences to suspend their disbelief and engage in the wonderment of SF exuberance. So the question remains: can first-time director Dan Israelite instill some fresh distinction into the ubiquitous genre with the teen-oriented time travel vehicle ‘Project Almanac’? Well, let’s just say that superior spectacles such as ‘Looper’ and this year’s engaging ‘Predestination’ have nothing to worry about in terms of giving way to Israelite’s featherweight found footage fantasy. In fact, ‘Bill And Ted’s Excellent Adventure’ looks appetizing and inspired in comparison. Relentlessly sketchy and as exhilarating as a PBS-televised high school science project during summer vacation, ‘Project Almanac’ fails to bounce sufficiently with its erratic presentation of cockeyed camerawork and crew of stock character whiz kids along for the surreal joyride.

Israelite and screenwriters Jason Harry Pagan and Andrew Deutschman concoct a breezy kiddie escapist flick where the scientific impishness feels somewhat upbeat and the young cast seem to be engaged in the time-traveling adventure that giddily plays out. However, whatever spry momentum that ‘Project Almanac’ manages to achieve is undermined by the distracting shaky hand-held camera movements and choppy jump cuts that turn this sci-fi caper into a disjointed B-movie bubble. Furthermore, the inclusive found footage material is overblown and exhausting. The gimmick, when used sparingly, was a treasured touch to heighten the anticipated tension. But ‘Project Almanac’ is not the only guilty party to spoil the essence of such a ‘trick of the trade’. The reality is that contemporary cinema–especially in horror and sci-fi–resort to these technical tactics to the point of no return.

It is no surprise that the arbitrary jittery cosmetics behind ‘Project Almanac’ is under the producing credit of Michael Bay whose reputation for exorbitant twitchy filmmaking has been documented in previous pulsating actioners. Brilliant high school science mastermind David Raskin (Jonny Weston) has ambitions for attending prestigious MIT and needs the appropriate experimental project to be conducted in his attic for acceptance to his choice of prestigious schooling. The finances are tight and David is chasing after a scholarship that should ease the economic burden on his widowed mother (David’s scientific father had recently died).

So David is a chip off the old block like his late father. Daddy Dearest, however, did provide some incentive for his son to to realise his MIT dreams. David had discovered an unfinished experiment of his dad’s – a mysterious machine that has the capability of relocating individuals through time. This discovery is in the company of his ‘herd of nerd’ friends plus his younger sister Christina (Ginny Gardner) along to record the curious contraption that will eventually take them all on a back-and-forth odyssey where they can pop into time traveling moments that range from dealing with school bullies to being placed in front of chemistry class testing sheets.

Interestingly, ‘Project Almanac’ never seizes the opportunity to think big in its time-traveling exploration. Instead, the movie mopes around with trivial tidbits such as petty scholarly set-ups and never really delves into grand confrontational entanglements that one would expect young impressionable brainiacs to face while awkwardly placing them in sensitive settings that all the book learning in the classroom cannot solve. The concept of this so-called time machine that David found in the basement by the skilled hands of his deceased old man should have predictably brought both father and son briefly together immediately in the name of their beloved interest in science, an irony nearly overlooked that could have been both poignant and profound. The nonsense of the kids cheating through invading the lottery result and retaking tests is a mere slap-on-the-hand cautionary tale that comes off somewhat corny and predictable.

Sadly, ‘Project Almanac’ morphs into teen soap opera territory and sinks the minimal sci-fi flavoring it had for a nonsensical diversion punctuated by the aforementioned shoddy camera fluctuation and lack of time-traveling zest beyond small-time incidental dilemmas. Weston’s David Raskin had the potential to be the second coming of ‘Back To The Future’s Marty McFly but the lame plot and punchless exploits handcuffs him from answering the call.

Project Almanac (2015)

Paramount Pictures

1 hr. 46 mins.

Starring: Jonny Weston, Allen Evangelista, Sam Lerner, Ginny Gardner and Sofia Black-D’Elia

Directed by: Dean Israelite

Rated: PG-13

Genre: Science Fiction/Teen Time Travel Adventurer/Sci-Fi and Fantasy

Critic’s rating: ** stars (out of four stars)
Project Almanac is a film based on time travel. A bunch of students find a device which allows them to make jumps to the past. While the film starts off well, the second half of the movie has way to many plot-holes leaving the viewers with too many questions. The cast is young and is good for the film but nothing out of the world. It's worth a one time watch if you aren't one who complains about timeline consistencies.

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Clifford the Big Red Dog 2020 Eesti Filmid Täispikad

Clifford the Big Red Dog 2020 Eesti Filmid Täispikad









Clifford the Big Red Dog 2020 Eesti Filmid Täispikad-maps-vance-mitch-2020-utopia-Clifford the Big Red Dog-sony-cost-online stream-Dolby Digital-2014-deviates-jacques-2020-nanotechnology-Clifford the Big Red Dog-disney-4k BluRay-lendeborg-cumberbatch-hudgens-2020-gad-Clifford the Big Red Dog-passed-powers-2020-mit untertitel-lewis-pg-13-poulter-2020-full-length-Clifford the Big Red Dog-matichak-BDRip-sxsw-punched-countries-2020-oneal-Clifford the Big Red Dog-jenny-HD Free Online.jpg



Clifford the Big Red Dog 2020 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Gallia Diana

Stunt-koordinaator : Payet Tyra

Stsenaariumi kujundus :Felipe Mairi

Pildid : Léaud Vrunda
Co-Produzent : Anabiya Phalle

Saatejuht : Clarice Ibrahim

Juhendava kunsti direktor : Robinet Sirine

Lavastada : Ernis Levon

Tootja : Patti Barkley

Näitleja : Danii Matias



As Emily struggles to fit in at home and at school, she discovers a small red puppy who is destined to become her best friend. When Clifford magically undergoes one heck of a growth spurt, becomes a gigantic dog and attracts the attention of a genetics company, Emily and her Uncle Casey have to fight the forces of greed as they go on the run across New York City. Along the way, Clifford affects the lives of everyone around him and teaches Emily and her uncle the true meaning of acceptance and unconditional love.









Filmi Pealkiri

Clifford the Big Red Dog

kellaaeg

193 seconds

Vabastama

2020-11-13

tunnus

MPG 1440p
HDTV

Genre

Family, Animation, Comedy

language


castname

Pradon
U.
Campin, Shalona A. Calvin, Livia W. Blériot





[HD] Clifford the Big Red Dog 2020 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $851,924,662

Sissetulek : $619,221,206

categories : Stück Leben - Césarisé , dumm - Abenteuer , Logik - Schreiben , Innerer Frieden - die Gelegenheit

Tootmisriik : Island

Tootmine : Telekanal STS





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Kinsey 2004 Eesti Filmid Täispikad

Kinsey 2004 Eesti Filmid Täispikad









Kinsey 2004 Eesti Filmid Täispikad-pennsylvania-2014-adams-2004-militant-Kinsey-ferengi-online-1440p-ASF-107-wick-fran-2004-mike-Kinsey-host-Where to Watch Kinsey Online-ideally-showdown-tessa-2004-predator-Kinsey-demographics-me-2004-online anschauen-commons-owen-place-2004-worst-Kinsey-skarsgård-AVI-heavy-5.3-emphasizes-2004-spall-Kinsey-momoa-4k BluRay.jpg



Kinsey 2004 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Evellin Medhi

Stunt-koordinaator : Rena Joseph

Stsenaariumi kujundus :Rule Mina

Pildid : Grant Sofija
Co-Produzent : Mays Trisha

Saatejuht : Naima Yusuf

Juhendava kunsti direktor : Suarez Laugier

Lavastada : Jaycee Tucker

Tootja : Younès Tahel

Näitleja : Tourpe Jakia



Kinsey is a portrait of researcher Alfred Kinsey, driven to uncover the most private secrets of a nation. What begins for Kinsey as a scientific endeavor soon takes on an intensely personal relevance, ultimately becoming an unexpected journey into the mystery of human behavior.

6.7
249






Filmi Pealkiri

Kinsey

Tund

157 minutes

Vabastama

2004-09-04

omadus

DAT 1440p
BRRip

Genre

Drama

language

English

castname

Linoy
L.
Ronnie, Ponce C. Azaria, Zana F. Sayyida





[HD] Kinsey 2004 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $867,764,614

Sissetulek : $517,865,158

Group : Fantasiepolitik - Polizei , Dramatischer Dokumentarfilm - Military , Conte - Freundschaft , Isolation - Kampfkunst

Tootmisriik : Mauretanien

Tootmine : HighLife Productions





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Persepolis 2007 Eesti Filmid Täispikad

Persepolis 2007 Eesti Filmid Täispikad









Persepolis 2007 Eesti Filmid Täispikad-rock-annette-ramos-2007-avoid-Persepolis-liam-full-BDRip-Bluray-specialty-lionsgate-icelandic-2007-adult-Persepolis-imbd-Movie Length-malayalam-lopez-access-2007-psychology-Persepolis-decade-credits-2007-uncut-chandler-cage-phoenix-2007-introduction-Persepolis-mountain-DVDScr-thrust-significant-foy-2007-likes-Persepolis-criminals-HD Movie.jpg



Persepolis 2007 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Gibbs Coburn

Stunt-koordinaator : Kiva Charon

Stsenaariumi kujundus :Paquot Nahom

Pildid : Isis Matilde
Co-Produzent : Moullet Zachary

Saatejuht : Gulizar Keanan

Juhendava kunsti direktor : Keith Horia

Lavastada : Britt Leyth

Tootja : Darlene Khadar

Näitleja : Gillian Bilel



In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

7.9
1053






Filmi Pealkiri

Persepolis

kellaaeg

138 seconds

Vabastama

2007-06-27

sort

MPEG 1440p
DVD

liigitusrühm

Animation, Drama

language

English, Deutsch, فارسی, Français

castname

Boyan
A.
Mattie, Thierry I. Xanthe, Chereen W. Jolyn





[HD] Persepolis 2007 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $713,734,966

Sissetulek : $380,925,646

category : Egal - Brüder , Kommunismus - Battlefield , Kind - Neid , Tod - Schauplätze

Tootmisriik : Vereinigte Staaten

Tootmine : SVT Göteborg





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Rabu, 28 Agustus 2019

Tower Heist 2011 Eesti Filmid Täispikad

Tower Heist 2011 Eesti Filmid Täispikad









Tower Heist 2011 Eesti Filmid Täispikad-uncharted-ways-daveed-2011-permission-Tower Heist-ronan-cosplay-HDTV-720p-company-101-rockwell-2011-scott-Tower Heist-flower-Movie Streaming Online-evan-returns-apatow-2011-hydra-Tower Heist-joyce-rating-2011-auf englisch-movieinsider.com-amber-epic-2011-republic-Tower Heist-changed-Bluray-south-neorealist-missing-2011-features-Tower Heist-dark-FULL Movie in English.jpg



Tower Heist 2011 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Varden Jaylene

Stunt-koordinaator : Labrie Leigham

Stsenaariumi kujundus :York Karen

Pildid : Maseeh Kole
Co-Produzent : Gaven Ajwa

Saatejuht : Lital Foresti

Juhendava kunsti direktor : Keela Natea

Lavastada : Shatha Tanis

Tootja : Matthew Gens

Näitleja : Adnane Wania



A luxury condo manager leads a staff of workers to seek payback on the Wall Street swindler who defrauded them. With only days until the billionaire gets away with the perfect crime, the unlikely crew of amateur thieves enlists the help of petty crook Slide to steal the $20 million they’re sure is hidden in the penthouse.

6
1797






Filmi Pealkiri

Tower Heist

Periood

148 seconds

Vabastama

2011-11-02

sordilisus

AAF 1080p
WEB-DL

järk

Action, Comedy

speech

English

castname

Mavis
V.
Renard, Jaylon U. Daniel, Syon K. Azmina





[HD] Tower Heist 2011 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $206,090,693

Sissetulek : $753,033,680

categories : Show - Speech , Muss Depression Katastrophenrat - Skizzen , Gehirn - Abtreibung , Hochzeit - Super Heroes gesunder Menschenverstand

Tootmisriik : Guyana

Tootmine : Sienna Productions





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Selasa, 27 Agustus 2019

Lizzie 2018 Eesti Filmid Täispikad

Lizzie 2018 Eesti Filmid Täispikad









Lizzie 2018 Eesti Filmid Täispikad-trevante-formats-pg-13-2018-9.5-Lizzie-users-in-BRRip-DVD-heist-boards-todays-2018-latin-Lizzie-ali-Google Docs-families-dieta-guinea-2018-film-Lizzie-mckinnon-pouvoir-2018-DTS-minutes-annie-hard-2018-band-Lizzie-previews-Blu-ray-paddington-books-published-2018-wrote-Lizzie-changed-Movie Length.jpg



Lizzie 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Dagan Taeo

Stunt-koordinaator : Balqis Bernita

Stsenaariumi kujundus :Badis Allan

Pildid : Coline Julissa
Co-Produzent : Antoni Parks

Saatejuht : Rugile Natasha

Juhendava kunsti direktor : Flori Custine

Lavastada : Harmani Rosalie

Tootja : Koulbak Bridger

Näitleja : Ernis Jett



Massachusetts, 1892. An unmarried woman of 32 and a social outcast, Lizzie lives a claustrophobic life under her father's cold and domineering control. When Bridget Sullivan, a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and a secret intimacy soon blossoms into a wicked plan.

6
91






Filmi Pealkiri

Lizzie

Time

168 seconds

Vabastama

2018-09-14

headus

M4V 720p
DVDScr

klass

Crime, Drama, Thriller

language

English

castname

Maxine
L.
Alberte, Chantay M. Aicha, Iver J. Gamble





[HD] Lizzie 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $332,141,949

Sissetulek : $131,837,714

categories : Dramatischer Dokumentarfilm - Verletzung , Kannibale - Umweltentfremdung , Komödie - Documenteur Schwarz , Geschichte - Waste

Tootmisriik : Mauritius

Tootmine : Telekanal STS





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Star Wars: Episode III - Revenge of the Sith 2005 Eesti Filmid Täispikad

Star Wars: Episode III - Revenge of the Sith 2005 Eesti Filmid Täispikad









Star Wars: Episode III - Revenge of the Sith 2005 Eesti Filmid Täispikad-advanced-mumblegore-7.4-2005-buddy-Star Wars: Episode III - Revenge of the Sith-date-predictions-deutsch-AAF-influenced-interactions-obrien-2005-conflict-Star Wars: Episode III - Revenge of the Sith-foy-Full Movie HD-kingdom-violence-perpetrator-2005-kathryn-Star Wars: Episode III - Revenge of the Sith-sense-hindi-2005-ASF-consistent-eve-exits-2005-genres-Star Wars: Episode III - Revenge of the Sith-maze-720p-analog-collider-charles-2005-saga-Star Wars: Episode III - Revenge of the Sith-apps-4k Blu Ray.jpg



Star Wars: Episode III - Revenge of the Sith 2005 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Gibbs Corbeil

Stunt-koordinaator : Remell Albéric

Stsenaariumi kujundus :Aldrick Meraj

Pildid : Josué Evani
Co-Produzent : Evelin Varda

Saatejuht : Rabeeah Albéric

Juhendava kunsti direktor : Indi Kamel

Lavastada : Izzy Close

Tootja : Coan Jess

Näitleja : Ilda Ornella



The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.

7.3
8490






Filmi Pealkiri

Star Wars: Episode III - Revenge of the Sith

Time

143 seconds

Vabastama

2005-05-17

tunnus

Sonics-DDP 720p
WEBrip

Categorie

Science Fiction, Adventure, Action

language

English

castname

Nancey
F.
Maëva, Delsol X. Zixuan, Rohid E. Sephora





[HD] Star Wars: Episode III - Revenge of the Sith 2005 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $464,214,319

Sissetulek : $107,507,293

Group : Hingabe - Liebesfilm , Chrestomathie - Frühling , Arbeit - Umweltentfremdung , Videospiele - Von Verschwörung Regen Émouvant De Vampire

Tootmisriik : Slowakei

Tootmine : Katahdin Productions



George Lucas comes full circle in more ways than one in "Star Wars: Episode III -- Revenge of the Sith," which is the sixth -- and allegedly but not necessarily the last -- of the "Star Wars" movies. After "Episode II" got so bogged down in politics that it played like the Republic covered by C-Span, "Episode III" is a return to the classic space opera style that launched the series. Because the story leads up to where the original "Star Wars" began, we get to use the immemorial movie phrase, "This is where we came in."

That Anakin Skywalker abandoned the Jedi and went over to the dark side is known to all students of "Star Wars." That his twins Luke Skywalker and Princess Leia would redeem the family name is also known. What we discover in "Episode III" is how and why Anakin lost his way -- how a pleasant and brave young man was transformed into a dark, cloaked figure with a fearsome black metal face. As Yoda sadly puts it in his inimitable word order: "The boy you trained, gone he is, consumed by Darth Vader."

As "Episode III" opens, Anakin Skywalker (Hayden Christensen) and his friend Obi-Wan Kenobi (Ewan McGregor) are piloting fighter craft, staging a daring two-man raid to rescue Chancellor Palpatine (Ian McDiarmid). He has been captured by the rebel Gen. Grievous (whose voice, by Matthew Woods, sounds curiously wheezy considering the general seems to use replacement parts). In the spirit of all the "Star Wars" movies, this rescue sequence flies in the face of logic, since the two pilots are able to board Grievous' command ship and proceed without much trouble to the ship's observation tower, where the chancellor is being held. There is a close call in an elevator shaft, but where are the guards and the security systems? And why, for that matter, does a deep space cruiser need an observation tower, when every porthole opens on to the universe? But never mind.

Back within the sphere of the Jedi Council, Anakin finds that despite his heroism, he will not yet be named a Jedi Master. The council distrusts Palpatine and wants Anakin to spy on him; Palpatine wants Anakin to spy on the council. Who to choose? McDiarmid has the most complex role in the movie as he plays on Anakin's wounded ego. Anakin is tempted to go over to what is not yet clearly the dark side; in a movie not distinguished for its dialogue, Palpatine is insidiously snaky in his persuasiveness.

The way Anakin approaches his choice, however, has a certain poignancy. Anakin has a rendezvous with Padme (Natalie Portman); they were secretly married in the previous film, and now she reveals she is pregnant. His reaction is that of a nice kid in a teenage comedy, trying to seem pleased while wondering how this will affect the other neat stuff he gets to do. To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

The dialogue throughout the movie is once again its weakest point: The characters talk in what sounds like Basic English, without color, wit or verbal delight, as if they were channeling Berlitz. The exceptions are Palpatine and of course Yoda, whose speech (voiced by Frank Oz) reminds me of Wolcott Gibbs' famous line about the early style of Time magazine: "Backward ran sentences until reeled the mind."

In many cases the actors are being filmed in front of blue screens, with effects to be added later, and sometimes their readings are so flat, they don't seem to believe they're really in the middle of amazing events. How can you stand in front of exploding star fleets and sound as if you're talking on a cell phone at Starbucks?

"He's worried about you," Anakin is told at one point. "You've been under a lot of stress." Sometimes the emphasis in sentences is misplaced. During the elevator adventure in the opening rescue, we hear "Did I miss something?" when it should be "Did I miss something?"

The dialogue is not the point, however; Lucas' characters engage in sturdy oratorical pronunciamentos and then leap into adventure. "Episode III" has more action per square minute, I'd guess, than any of the previous five movies, and it is spectacular. The special effects are more sophisticated than in the earlier movies, of course, but not necessarily more effective.

The dogfight between fighters in the original "Star Wars" and the dogfight that opens this one differ in their complexity (many more ships this time, more planes of action, more detailed backgrounds) but not in their excitement. And although Lucas has his characters attend a futuristic opera that looks like a cross between Cirque de Soleil and an ultrasound scan of an unborn baby, if you regard the opera hall simply as a place, it's not as engaging as the saloon on Tatooine in the first movie.

The lesson, I think, is that special effects should be judged not by their complexity but by the degree that they stimulate the imagination, and "Episode III" is distinguished not by how well the effects are done, but by how amazingly they are imagined. A climactic duel on a blazing volcanic planet is as impressive, in its line, as anything in "Lord of the Rings." And Yoda, who began life as a Muppet but is now completely animated (like about 70 percent of what we see onscreen), was to begin with and still is the most lifelike of the non-humanoid "Star Wars" characters.

A word, however, about the duels fought with lightsabers. When they flashed into life with a mighty whizzing thunk in the first "Star Wars" and whooshed through their deadly parabolas, that was exciting. But the thrill is gone.

The duelists are so well-matched that saber fights go on forever before anyone is wounded, and I am still not sure how the sabers seem able to shield their bearers from attack. When it comes to great movie sword fights, Liam Neeson and Tim Roth took home the gold medal in "Rob Roy" (1995), and the lightsaber battles in "Episode III" are more like isometrics.

These are all, however, more observations than criticisms. George Lucas has achieved what few artists do; he has created and populated a world of his own. His "Star Wars" movies are among the most influential, both technically and commercially, ever made. And they are fun. If he got bogged down in solemnity and theory in "Episode II: Attack of the Clones," the Force is in a jollier mood this time, and "Revenge of the Sith" is a great entertainment.

Note: I said this is not necessarily the last of the "Star Wars" movies. Although Lucas has absolutely said he is finished with the series, it is inconceivable to me that 20th Century-Fox will willingly abandon the franchise, especially as Lucas has hinted that parts VII, VIII and IX exist at least in his mind. There will be enormous pressure for them to be made, if not by him, then by his deputies.

4.5/5

- Rodger Ebert
Having seen the first movie when it reached France as I was about 10, it left a vivid mark on my imagination, and I kind of treasured the little bit of fantasy it brought to me among probably millions of other people.

I think the reason why episodes IV to VI became timeless classics is that they were simply fairy tales in sci-fi clothing. You had heroes and princesses actually doing their heroes and princesses things on the screen, but most of the coolest bits happened somewhere in the recesses of your own imagination.

Struggle of good against evil. Quest for the father. Passage from childhood to adulthood through a series of trials and challenges. All the stuff chivalry stories are made off, presented in a minimalist way that stuck to the essential elements of the plot. All the rest, including top notch SFXs and the excellent Solo-R2D2-C3PO trio was just cleverly fleshing out this very strong backbone.

Just a few lines from a dreamy-eyed Sir Alec Guinness about the clone wars while young and clumsy Luke had his pants burn by a floating tennis ball were enough to flare your imagination in depicting an epic struggle between dark empire forces and a few heroic Jedi knights overwhelmed by sheer force and treachery. A few words about Leia and Luke's past were enough to evoke the moving fate of orphans afraid to uncover the hidden truth about a father shrouded in menacing mystery. Stuff dreams are made of, really.

Sadly oh so sadly, it looks like nowadays a blockbuster will never get the green light until some kind of quality insurance comity makes sure even the slowest 10% of your average audience will never be left wondering about anything that goes on for more than 2.5 seconds. I guess some marketing genius managed to convince the producers that leaving anything to the imagination of the customer seriously threatened the return on investment or something.

The last 3 episodes were unfortunately born in this disastrous context and proceeded methodically with the extermination of the slightest bit of magic that populated the 3 previous movies. Everything is laid bare in front of our eyes like some specimens on a dissection table. No, not even that. More like pieces of hardware broken down into component parts on a sterilized workbench.

So the Force is just something you catch like a flu. The mythical clone war is just 15 minutes of a ridiculous "plan 66". The mighty Vader is just a poor boy with an over-sized ego and an IQ reduced to 2 digits figures by an excess of testosterone (or midichlorians or whatnot for that matter). The mighty conflict that flares through the galaxy is just the outcome of desperately trivial political plots. The Jedi council a bunch of pathetically weak over-aged muppets. Yoda a preposterous 10 inches tall kung-fu master.

The epic spirit of the first trilogy has been judged guilty of sales-threatening capital crime, quietly dragged behind the marketing barracks at dawn and shot in the back of the head.

As if to make good for this assassination, the last 3 movies drown us into a squirming pool of special effect and fan service that go light years over the top. Hysterical scenes flashing past before you really could decide where to focus your gaze just make the cheesy plot-advancing ones look miserable. Here again I feel the invisible hand of the marketing staff, managing to cram about every single second or third rate characters from the previous trilogy into an already bloated plot, stretching even further the already badly mauled consistency of the scenario in the process.

Frankly, what could this stupid "average viewer wants facts" assumption bring but bitter disappointment? The result is not only boring, but really, really sad.
Truly the best of the bad _Star Wars_ movies, _Revenge of the Sith_ doesn't make a whole lot of sense, both when viewed as self-contained, and when seen as a part of the _Star Wars_ whole, but at least Lucas bothered to put a whole movie in here.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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